The Key to Flambards Synopsis
Grace Russell, at fourteen, has already had to adjust to a devastating accident from which she'll never recover. Now she and her newly-single mother are leaving their suburban home for Flambards house, out in the Essex countryside. The house has a long history, and Grace's mother is to work there for the summer - an exciting new opportunity. But, for Grace, everything feels wrong. She's doesn't want yet another change. However, in spite of herself, she find herself becoming involved with two boys: Jamie, who leads her down a path of thrilling freedom, and the deeply troubled Marcus, who is dealing with his difficult, potentially violent father. Over time, Grace discovers her own links to the house and landscape she has just arrived in, and in turn, her own place in the world.
About This Edition
| ISBN: |
9781788450041 |
| Publication date: |
4th October 2018 |
| Author: |
Linda Newbery |
| Publisher: |
David Fickling Books |
| Format: |
Hardback |
| Pagination: |
310 pages |
| Suitable For: |
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| Other Genres: |
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About Linda Newbery
Linda Newbery always wanted to be a writer, filling exercise books with stories which she hid in her wardrobe, but only began submitting her work once she became a secondary school teacher. She had her first novel published in 1988 and is now a full-time writer. Linda writes for various age groups and has twice been shortlisted for the Carnegie Medal, for The Shell House and Sisterland and in 2006 won the Costa Children’s Book Award for Set in Stone.
Linda lives in a Northamptonshire village with her husband and three cats. She is an active member of the SAS and on the committee of the Children’s Writers and Illustrators Group of the Society of Authors.
Linda on Linda
When I was a child, dreaming that one day I might be an author, I used to gaze longingly at the N shelves in bookshops and libraries, and imagine my own books parked next to E. Nesbit’s. She’s still there, with her classic stories The Railway Children, Five Children and It, and others. Philip Pullman, nearby, takes up an awful lot of space, but sometimes there’s room for me between them.
As a child I used to do a lot of secret writing in my bedroom. I rarely showed anyone, and certainly not my teachers. At that time I was rather unwisely trying to write complete novels. Later, when exams got in the way, I began writing poetry - because poems could be short!
When I was a teenager, there was no such thing as teenage fiction – you went straight from children’s books to adult books. It wasn’t until much later, when I was training to be an English teacher, that I came across teenage fiction, and excellent writers such as K. M. Peyton, Aidan Chambers and Jill Paton Walsh. Before long I wanted to have a go.
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