A classic for all horse lovers. From his simple beginnings as a foal in a meadow through the ups and downs of his life including being a riding horse on a country estate and a cab horse on the busy streets of London, Black Beauty tells his own story.
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Continuously in print and translated into multiple languages since it was first published, Anna Sewell's Black Beauty is a classic work of children's literature and an important text in the fields of Victorian studies and animal studies. Writing to "induce kindness, sympathy and an understanding treatment of horses," Sewell realistically documents the working conditions of Black Beauty, who moves down the social scale from a rural carriage horse to a delivery horse in London. Sewell makes visible and tangible the experience of animals who were often treated as if they were machines. Though she died shortly after it was published, Sewell's book contributed significantly to late nineteenth-century campaigns for humane treatment of horses and remains a seminal anti-cruelty text today.
The Broadview Press edition reproduces the first edition of 1877, restoring material often abridged in other modern editions. Appendices include materials on contemporary animal-rights movements, "equine management," and Victorian understandings of animal emotions.
Anna Sewell was born on March 30th 1820, in Norfolk in England and was crippled while still very young. As such, she spent much time on horse-drawn carriages that allowed her some freedom of movement, and she developed as a result a great concern for the proper treatment of animals. Sewell's mother was a successful writer for children and Sewell spent time editing the texts and becoming acquainted with writing.
Sewell wrote only one book: the famous and enduringly popular Black Beauty (1877). She lived as an invalid for most of her existence, and Black Beauty - the tale of a mistreated horse with a happy ending - was written entirely in the last decade of her life when she was confined to her house. The story came from the horse's mouth, literally, as the horse spoke of extremes of joy and suffering. It was perhaps this humanising of the beast that made it such as success both as a book and as a catalyst for change in people's attitudes towards animals.
