A beautiful illustrated record of Chris Riddell's time as the Children's Laureate 2015-2017 with cloth quarter binding, ribbon marker and beautiful end papers this truly is a book to treasure.
After two years travelling the length and breadth of the country, visiting schools, libraries and festivals, and meeting thousands of children, Travels with My Sketchbook provides a glimpse of the incredible journey Chris has been on during his time as Children's Laureate. Full of sketches, doodles and pages from The Laureate Log - his daily record of his time as Laureate - it includes: * Train doodles * Key events and prizes in the world of children's books * Early sketches (including handwritten manuscripts and cover roughs) from the books he has worked on during his time as Laureate including Goth Girl and the Wuthering Fright and The Hunting of the Snark * Political sketches or roughs for the Observer cartoon, reminding us of the major events that have punctuated his time as Laureate * Birthday sketches, impromptu portraits, posters and Christmas cards, sketches for poems and song lyric.
Chris Riddell, the 2015-2017 UK Children's Laureate, is an accomplished artist and the political cartoonist for the Observer. His books have won a number of major prizes, including the 2001, 2004 and 2016 CILIP Kate Greenaway Medals. Goth Girl and the Ghost of a Mouse won the Costa Children's Book Award 2013. His includes the bestselling Ottoline books, The Emperor of Absurdia, and, with Paul Stewart, the Muddle Earth books, the Scavenger series and the Blobheads series.
Chris has been honoured with an OBE in recognition of his illustration and charity work. Chris lives in Brighton with his family.
Chris Riddell on John Tenniel : "Before I knew a thing about him, John Tenniel was a hero of mine, or rather, I should say, his white rabbit was. As a child I copied Tenniel’s illustrations from Alice’s Adventures in Wonderland obsessively, particularly his drawing of the White Rabbit in waistcoat and frock coat, umbrella tucked under one arm and a pocket watch in paw, a look of suppressed panic in his eye. I loved analysing the shading, intricate lines of cross-hatching, the folds of the sleeve, the tilt of the head, that wide-eyed rabbit stare. Tenniel was one of the reasons I became an illustrator."
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