"Historical fantasy with a magical African inspired twist"
A rip-roaring opening to a genre busting series that combines West African mythology, Fae fantasy, queer romance, black representation, and historical settings. If that all sounds a bit much for one book to handle, there are indeed times when the reader might agree! But I feel sure that what feels like underdeveloped sections or loose ends will come to fruition in the sequels that the cliff hanger ending will ensure you most definitely want to read.
The setting of Shakespearean London and the Globe Theatre, the presence of historical characters like Shakespeare and Guy Fawkes and the accurate unflinching depiction of racism, sexism, poverty and privilege in that society is very well done. We see it all through the eyes of 16-year-old Joan Sands, who is a relatable teenager, full of confidence and definitely nobody’s victim. I also particularly liked the way A Midsummer Night’s Dream is woven into the plot.
Joan is a gifted crafter of metal who maintains the swords used by the Company and her father is an actor member. The Dream is the play in production and its bizarre story is given a whole new layer of meaning because the Fae walk amongst them in this society. It actually makes the play seem more realistic and plausible. The Fae are great characters too, occasionally helpful , often malevolent and always completely selfish.
The West African Orisha mythology is a brilliant addition to the story and adds great power to Joan’s character and that of her twin brother. The family and romantic relationships are the icing on this complex cake. There really is something for everyone to enjoy in this highly enjoyable debut.