LoveReading4Kids Says
Shortlisted for The Branford Boase Award 2013 & shortlisted for the 2013 Leeds Book Award
A chilling ghost story unfolds fast as the mysterious Lexi’s watch moves steadily backwards and Daniel discovers he must solve the mystery of her terrible wounds before Summer Time ends… Daniel knows he is going to hate everything about his trip to the Leisure World Holiday Complex with his dad. He hates sports and has no intention of doing much more than watching TV. But, when Lexi appears mysteriously on his very first day and then unexpectedly on other occasions, Daniel is drawn into helping her to confront the sinister darkness from her past.
A Review by Katy Poulter, age 12
Daylight Saving is a strange book that is very quick and easy to read. I am absolutely petrified of ghosts so all the way through this book I was looking over my shoulder just to make sure, but it wasn't an ordinary ghost story, it was about a poor soul trapped in a loop, dead yet she could still feel pain and there was a lot of pain to feel due to her horrific death but she could also feel love. It was a love that could never be, for a start, he was alive and she was dead and there was the small detail that every time he got close to her, new wounds opened up on his body and also, nobody else could see her. I enjoyed reading this but I felt something was missing to really engage me as a reader.
Katy Poulter is a member of the Lovereading4kids Reader Review Panel but she has reviewed this novel in the first instance for the Leeds Book Award as it is one of the 2013 shortlisted titles. The organisers have kindly agreed to let us also make use of Katy's review.
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About Edward Hogan
Edward Hogan was born in Derby in 1980 and lives in Brighton. His first adult novel, Blackmoor, won the Desmond Elliot Prize and was shortlisted for the Sunday Times Young Writer of the Year Award and the Dylan Thomas Prize. Daylight Saving is his first novel for teenagers.
AS A CHILD
"I grew up in a small village in Derbyshire. It had a big park, a Co-op, and some woods, and that was all I needed. I spent a lot of time reading, and the rest of the time playing football with my brother, Blake. I played for the city and stuff, but really I wasn’t very good. I didn’t much like tackling, physical contact, or getting my socks dirty, but I could do kick-ups with a piece of chewing gum. Not very useful. On a trip to Germany to play football for Derby Boys, I spent most of the time as sub, but I won the competition for the best diary. Unsurprisingly, this did not make me very popular with my teammates. Derbyshire was a fantastic place to grow up, because the slightly spooky landscape really stirs the imagination. It’s full of old quarries and cross-looking sheep."
AS AN ADULT
"I went to university in Derby, and then in Norwich, at UEA, where I did an MA in Creative Writing. It was good to have other people reading my work, there. It made me think a lot about what readers might want. I’d been writing, quite secretly, since I was very young, and there was always this tension between writing being quite a private thing (like diaries), but also a way of communicating (like letters). It takes quite a bit of courage, I reckon, to start showing your writing. My first novel took many, many years to write, and I did the usual odd jobs along the way. I used to strim the council house gardens in Derby, which is fun until you hit a dog poo or a dead hedgehog. Later, I got a job teaching in a college in London, which I really enjoyed (although it was hard work). These days, I work in a university, as a mentor to students with mental health issues. It’s a great job, and I meet some truly inspiring people."
AS A WRITER
"I like to write very early in the morning, as close to the violence and weirdness of dreams as possible. I write with a fountain pen, because it feels good, and it’s simple. I carry a notebook, as I often have ideas when I’m out walking or working or doing the shopping. Then I write ideas for scenes on little index cards. I haven’t worked out the best way of writing, yet! My first book was called Blackmoor, and was about underground gases seeping up into a village from a disused coal mine. My second book, The Hunger Trace, was about two women living on a wildlife park. One of them is a falconer (I did a lot of research on falcons, which was fascinating). Both of those books are set in Derbyshire. Daylight Saving, my first novel for young adults, is about a boy, Daniel, who goes to a sports holiday complex with his depressed dad. While there, Daniel meets a girl called Lexi, who swims in the fake lake. She has cuts and bruises that seem to get worse with time and her watch ticks backwards. It’s a sort of mystery story. My second YA novel is called The Helmstown Messengers and is about a girl with a frightening gift. That’s all I’m saying for now!"
TEN THINGS YOU DIDN’T KNOW ABOUT EDWARD HOGAN
1. Because I was born on the 29th February, a leap year day, I’ve only had 8 real birthdays. This means I can get into Alton Towers for free. Probably.
2. As research for The Helmstown Messengers, I did several training sessions with a boxer, which was pretty scary.
3. My favourite book, when I was a very young, was Frog and Toad, by Arnold Lobel. Then, when I was a bit older, I loved The Eighteenth Emergency, by Betsy Byars.
4. I have a seriously bad sense of direction and can’t read maps.
5. Like Daniel, in Daylight Saving, I take hayfever medicine. I also spent a week at a sports holiday complex. My time there was much less eventful than Daniel’s, although I did graze my knee a bit.
6. When we were 12, me and my best friend Keir designed our own range of clothing to be made out of old sacks. It was our way of snubbing the trendy ‘in-crowd’ kids at school. Fortunately, it never made it to the production stage.
7. I failed my driving test five times. Once for speeding. I didn’t do it on purpose.
8. My favourite film is Moonstruck. It’s about an Italian-American woman who falls in love with a baker who has a wooden hand.I watch it at least 3 times a year.
9. When I was young, I was a member of the Young Ornithologists Club.
10. I moved house a lot when I was working on my first novel. It was written in 11 different bedrooms, in five different English cities.
More About Edward Hogan