Shortlisted for the Nestle Children's Award 2006 and now deservedly shortlisted for the incredibly prestigious Kate Greenaway Medal 2007.
Sumptuous illustrations tempt readers into the delightfully absurd world in which dinner is served before lunch and skyfish settle on umbrella trees. The young Emperor is a charming child with a hairy wardrobe monster as an advisor who sets off hunting dragons across a gloriously imagined landscape where anything fantastical can happen. A richly entertaining picture book from a uniquely talented artist at the height of his powers. (0-7)
Judges' comment:
Riddell makes glorious use of colour in this very interesting and engaging picture book, which despite being extraordinarily detailed is very easy to read. It cleverly gives the reader the impression of moving physically into its landscape, and works on lots of different levels as it turns reality completely on its head. The composition of each page is always well-thought out, and the technique of using small pictures at certain points makes the reader slow down and study carefully. The ambiguous ending stays with you, and allows you to take pleasure from the book over and over again.
Skyfish nibble umbrella trees, pointy birds steal scarves to line their pointy nests, and dinner is served before lunch. It's an absurd world. Of interest to young children, this is an entertaining story of dragon hunts and hairy wardrobe monsters.
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Chris Riddell, the 2015-2017 UK Children's Laureate, is an accomplished artist and the political cartoonist for the Observer. His books have won a number of major prizes, including the 2001, 2004 and 2016 CILIP Kate Greenaway Medals. Goth Girl and the Ghost of a Mouse won the Costa Children's Book Award 2013. His includes the bestselling Ottoline books, The Emperor of Absurdia, and, with Paul Stewart, the Muddle Earth books, the Scavenger series and the Blobheads series.
Chris has been honoured with an OBE in recognition of his illustration and charity work. Chris lives in Brighton with his family.
Chris Riddell on John Tenniel : "Before I knew a thing about him, John Tenniel was a hero of mine, or rather, I should say, his white rabbit was. As a child I copied Tenniel’s illustrations from Alice’s Adventures in Wonderland obsessively, particularly his drawing of the White Rabbit in waistcoat and frock coat, umbrella tucked under one arm and a pocket watch in paw, a look of suppressed panic in his eye. I loved analysing the shading, intricate lines of cross-hatching, the folds of the sleeve, the tilt of the head, that wide-eyed rabbit stare. Tenniel was one of the reasons I became an illustrator."
