Shelagh Delaney's 1958 play, written when she was only 19, brought the lives and struggles of northern, working-class people onto the stage. Initially dividing the critics - some of whom regarded it as 'immature' - it went on to become one of the most defining plays of the twentieth century.
This Student Edition contains a commentary by Hannah Simpson, Lecturer at the University of Edinburgh, UK, which explores the following themes in relation to the play:
- gender roles - homosexuality - race - class - youth - 1950s notions of family
In addition, it looks at the play's production history, different ways it has been staged, and critical reception; the form of the kitchen-sink and drawing-room drama and to what extent the play conforms or disrupts these models; 1950s Britain and what it was like; and the play's ambiguous ending.
Shelagh Delaney was born in Salford, Lancashire. She is most well-known for A Taste of Honey, for which she won the Foyle's New Play Award and the New York Drama Critics Circle Award. She wrote the screenplay for the film version with Tony Richardson and was awarded the British Film Academy Award and the Robert Flaherty Award. Her other screenplays include The White Bus and Charley Bubbles, for which she won the Writers Guild Award. She has also written for television and radio and has had a collection of short stories published.
