LoveReading4Kids Says
Winner of the Costa Children's Book Award 2006.
Set at the end of the 19th century, Linda Newbery has cleverly carved out an incredible mystery that’s full of clever twists and entwined with drama, all manner of emotions and mind-blowingly powerful multi-dimensional characters, that you’ll find impossible to put down and one that is likely to haunt you long after you’ve read it. There aren’t many books that you can safely say that you’ll enjoy even more by reading it a second time but this is certainly one of them. A tour de force.
The Judges said: "A novel of intrigue and deception. Newbery's landscape is a joy to walk into."
Other titles by Linda Newbery include Nevermore, Catcall, and Lost Boy.
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Set In Stone Synopsis
Samuel Godwin, an art tutor has two tutees, Marianne and Juliana. Assisted by their governess, Samuel begins to uncover why Marianne is emotionally fragile. But his discoveries lead to revenge and betrayal - and lives all around are turned upside down. This work is a novel in diary style, combining different voices and a different century.
About This Edition
| ISBN: |
9780385607483 |
| Publication date: |
4th May 2006 |
| Author: |
Linda Newbery |
| Publisher: |
Random House Children's Books |
| Format: |
Hardback |
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About Linda Newbery
Linda Newbery always wanted to be a writer, filling exercise books with stories which she hid in her wardrobe, but only began submitting her work once she became a secondary school teacher. She had her first novel published in 1988 and is now a full-time writer. Linda writes for various age groups and has twice been shortlisted for the Carnegie Medal, for The Shell House and Sisterland and in 2006 won the Costa Children’s Book Award for Set in Stone.
Linda lives in a Northamptonshire village with her husband and three cats. She is an active member of the SAS and on the committee of the Children’s Writers and Illustrators Group of the Society of Authors.
Linda on Linda
When I was a child, dreaming that one day I might be an author, I used to gaze longingly at the N shelves in bookshops and libraries, and imagine my own books parked next to E. Nesbit’s. She’s still there, with her classic stories The Railway Children, Five Children and It, and others. Philip Pullman, nearby, takes up an awful lot of space, but sometimes there’s room for me between them.
As a child I used to do a lot of secret writing in my bedroom. I rarely showed anyone, and certainly not my teachers. At that time I was rather unwisely trying to write complete novels. Later, when exams got in the way, I began writing poetry - because poems could be short!
When I was a teenager, there was no such thing as teenage fiction – you went straight from children’s books to adult books. It wasn’t until much later, when I was training to be an English teacher, that I came across teenage fiction, and excellent writers such as K. M. Peyton, Aidan Chambers and Jill Paton Walsh. Before long I wanted to have a go.
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