LoveReading4Kids Says
February 2022 Book of the Month
Apparently taking inspiration from the ghostly sightings of wet figures following the 2011 Japanese tsunami, this astonishing and thought-provoking novel examines the impact of loss and grief on individuals and families and upon whole communities.
The former Children’s Laureate never writes the same book twice and this is a startlingly original concept: part a dystopian story of a climate affected future, part very creepy ghost story, part coming of age, part an agonisingly accurate portrait of a family under stress and ultimately a philosophical examination of how individuals and society handle death and grief. If this sounds a lot for a relatively slim novel, be reassured that you are in the hands of an expert who writes without a wasted word.
For such a thought-provoking book, the action never lets up and holds the reader in a vice like grip. The strange and desolate landscape of the remote and neglected region, to which Louie and his father travel on his routine inspection job, is so vividly evoked that the reader feels every moment of the earthquake, the terrible tsunami and the desolation which follows. The otherness of the Uplander community and how they are treated by the rest of the Federation has a distinct resonance with our own time, but their culture and beliefs evoke echoes of a much more distant past and of a deep-seated universal need for ceremonies, beliefs and customs that help humanity to cope with death. As a reader we share Louie’s cathartic experience and can feel hopeful for his future.
This author always takes great care to leave a reader with hope and generally, most definitely so in this case, with a deeper understanding of the human condition. A brilliantly rewarding read.
Anne joined The LoveReading LitFest to discuss her powerful book Aftershocks with LoveReading4Schools Editorial Expert, Joy Court.
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Joy Court
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Aftershocks Synopsis
A family mix-up means Louie has to tag along with his engineer father and his team as they head for a routine job in the farthest flung and most neglected province of the Federation.
A massive earthquake, with ensuing tsunami, devastates the entire isolated coastal region, laying bare the other-worldly manner in which the silent and strange Endlanders deal with life, death and the hinterlands of memory and loss. Their curious and unsettling ways raise ghosts for Louie, who has recently lost his own brother.
This modern fable - part ghost-story, part coming-of-age novel and part astute social and family observation - explores the ways in which grief can affect not only individuals, but communities at large.
About This Edition
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9781910646779 |
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10th February 2022 |
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Anne Fine |
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Old Barn Books |
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Hardback |
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277 pages |
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About Anne Fine
Former Children’s Laureate Anne Fine has written over seventy books for children and won many prizes and accolades, including twice winning the Carnegie Medal. She began to write after the birth of her first child, when she was unable to get to the library to change her books in a snowstorm, and she hasn’t stopped since. Her writing very often tackles serious social issues (Anne studied Politics and History at university) but can also be laugh-out-loud funny and her range is demonstrated by the successes of Madam Doubtfire and Goggle Eyes.
Anne has often been described as ‘outspoken’ but in On The Wall she explores how we can all benefit from a little peace and quiet: something she learned to treasure as a child, growing up in a small house with four siblings.
Anne Fine was our Guest Editor in July 2011
Among her many other prizes are the Smarties Prize for Bill’s New Frock, a second Whitbread Award for The Tulip Touch, a silver Nestle prize for Ivan the Terrible, and many other regional and foreign awards.
In 1990 and again in 1993 she was voted Publishing News’ Children’s Author of the Year. In 1998, she was the UK nominee for the Hans Christian Andersen Award. Adaptations of Bill’s New Frock and Goggle-Eyes have been screened by the BBC and her novel Madame Doubtfire was adapted for film under the title Mrs Doubtfire.
Having written over fifty books for children of all ages, Anne Fine became Children’s Laureate in 2001 and during her two years of office set up the Home Library (free downloadable modern bookplates from www.myhomelibrary.org) and published three classic anthologies of poetry for different age groups, called A Shame to Miss 1, 2 & 3.
Anne Fine has also published eight highly acclaimed novels for adults, including In Cold Domain, All Bones and Lies and Raking the Ashes. The Killjoy won a Scottish Arts Council Book Award and both Taking the Devil’s Advice and Telling Liddy have been broadcast on BBC Radio 4. Our Precious Lulu is her most recent novel.
Anne Fine’s work has been translated into forty five languages. In 2003 she became a Fellow of the Royal Society of Literature and was awarded an OBE. Anne has two grown up daughters, and lives in County Durham.
Click here to read a Q&A with the author or click here to read an extended biography in which Anne talks about her writing.
Here is a letter from author, Sarah Forbes to Anne Fine, who visited her home town when she was eight and made a lasting impression.
Dear Anne Fine,
You won’t remember this, but in the late 1980s you visited Stonehaven Library as part of an author tour. Stonehaven is a lovely place: a small seaside resort on the east coast of Scotland near Aberdeen. It has an open-air swimming pool and a ruined castle. These days it’s famous for being the home of the deep-fried Mars bar. (Yes, I have eaten a deep-fried Mars bar. No, that isn’t why I’m writing this.)
I remember your visit vividly because I was an avid, avid reader of your books. You coming to town was like having a famous pop star parachute in for the day. The excitement of having an actual, real author come to speak to us! Someone whose books I could reach out and touch on the library shelves in the children’s section upstairs where you did your event.
For a kid living in a big literary city like Edinburgh or London, meeting authors might not be such a big deal. Authors tend to work hard to promote their books and the ones I know do as many events as they can. But let me tell you, rural Aberdeenshire in the 80s was not a hotbed of literary discovery, and you coming to town meant a lot. I think that was the point when I realized writing could be a career. Maybe one day, I could be a writer too.
Many, many years later, I found myself back in the children’s section of Stonehaven Library promoting my own children’s books. That felt incredibly weird and incredibly lovely all at the same time. I’m excited to say I’ll also be talking to kids about my Elspeth Hart books at the Edinburgh International Book Festival this month. I have so much fun doing my own events, but my favourite part is when I ask if anyone likes writing or wants to be a writer and dozens of hands shoot up. The ideas these kids have are amazing. I wonder if it’s easier to dream your way into becoming a writer when you meet grown-ups who’ve done the same thing?
Either way, I relish every minute of getting to meet my readers, and part of the reason I appreciate it, Anne, is you.
Warm wishes,
Sarah Forbes
More About Anne Fine
Anne Fine has been asked countless times to tackle the topic of grief and loss in a book for this age group. Aftershocks explores the different ways in which people deal with grief and attempts to give both children and adults reassurance and understanding that many different ways of dealing with it are common, but that everyone has to come to terms with it at some point somehow ... Grief doesn't usually just affect one person, but a whole family and the wider community.
It is important to point out that while children are the primary audience for Aftershocks it is not written ‘down’ to young people - Anne Fine herself refuses to age-range her books - it is simply for whoever needs and wants to read that story at that time. A book for all ages with universal themes.
In Anne’s own words ‘though the author's job is essentially simply to provide 'a good read', most of us find that over and above that we're also trying to interpret this world to our readers - to unravel and illuminate their situations, or those of others around them, and, with luck, offer something in the nature of a hope to cling to, a line to take, even a way to go.’