LoveReading4Kids Says
Longlisted for the UKLA Book Award 2022 ages 11-14 | November 2020 Debut of the Month
Nimbly navigating a fine thread between real-world tragedy and elemental inner demons, Richard Lambert’s The Wolf Road is a stunning coming-of-age thriller about a boy’s battle with bereavement, and the wolf that holds the key to his healing. It’s un-put-down-able and emotionally haunting in perfectly balanced measures.
Fifteen-year-old Lucas’s life unravels when he discovers his parents were killed in a car crash caused by a dog. In an instant “the world didn’t make sense”, and now he must live with his nan, an “odd woman in purple DMs” (and socially-conscious solicitor) he’s only met twice in his life. Despite his angry protests, Lucas has no choice but to move to Nan’s cottage in the Lake District, certain the offending dog was, in fact, a wolf. It’s not long before wolves infiltrate all aspects of his life - at school he reads The Call of the Wild (a book “about a dog that really wants to be a wolf”). Local TV news reports on a local farmer who believes his livestock is being killed by a wild wolf. And then lupine menace encroaches on Lucas’s reality when he hears and glimpses what must be the wolf. As he wonders whether it’s coming for him, to “finish off the family after Mum and Dad,” he confronts his wildest pains in the wilds of the mountains.
While the theme of loss - and Lambert’s inventive handling of it - will chime with readers who loved Patrick Ness’s A Monster Calls, this also has great appeal for fans of emotion-driven adventures, such as Piers Torday’s nature-rich novels. Other plot strands skilfully untangle the complex relationship between Lucas and his Nan. The faltering understandings reached between grandmother and grandson are a joy to witness, as is the bond Lucas forms with Debs, a Sylvia Plath-reading goth-punk.
Joanne Owen
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The Wolf Road Synopsis
A tale of loss that is also a gripping thriller, a realistic study of grief that skirts the margins of fantasy, it walks wolf-like between worlds and genres. Richard Lambert writes with a poet's eye; he has created something magical here.
The storytelling is as bold, sinewy and uncompromising as the beast that shadows Lucas in the mountains above his home.
About This Edition
ISBN: |
9781911427162 |
Publication date: |
28th October 2020 |
Author: |
Richard Lambert |
Publisher: |
Everything with Words |
Format: |
Paperback |
Pagination: |
347 pages |
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Richard Lambert Press Reviews
'Compelling debut. A significant new voice, it has something of the shock effect of Piers Torday’s There May Be a Castle and the raw force of Patrick Ness’s A Monster Calls.' Sunday Times, Children's Book of the Week
'One of the most stunning books I've read in years.An astonishing exploration of grief and love and wildness.' Hilary McKay
'The shift between objective and subjective, the everyday and the eerie, are masterly. Richard Lambert’s debut novel is phenomenally poised, from its shocking opening till its haunting final pages.’ Financial Times
'A passionately told story of loss, pain, growing up and adventure to haunt any reader's imagination.' Michele Roberts
'A tale of loss that is also a gripping thriller. Bold, sinewy and uncompromising.' Jonathan Stroud
'A stunning, special debut about love and loss and how the wildness can save us.' Chelsey Flood
'A smart chilling page-turner that kept me guessing right up to the end.' Hayley Long
'Moving, menacing, written with cinematic clarity.' Andrew Cowan
'A sharp, hard, modern story of a young man's losses and loves.' Mark Cocker
'This is an insightful novel about bereavement, but also about what growing up might involve in a world that actually needs wolves.' Moniza Alvi
About Richard Lambert
Richard Lambert was born in London. For the last ten years he has lived in Norfolk where he works for the NHS and writes stories and poems. One of his stories was shortlisted for the Sunday Times Short Story Award and another won the Fish Short Story Prize, and his poems have been in the Times Literary Supplement, The Spectator, and The Forward Prize Anthology. His second poetry collection, The Nameless Places, was shortlisted for the East Anglian Book Awards
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