"Superstition and suspicion abound in this enthralling, elegant modern classic set in the 17th-century"
This emotive, richly-detailed novel illuminates a dark period of history with grace and lyricism through a perfectly-paced plot.
England, 1659 – an era of terror and persecution for women who might be accused of witchcraft. One such woman is Mary’s grandmother, the wise woman who raised her, someone the community once turned to in times of birth, sickness and death. But those times have passed. When her grandmother is hanged for witchcraft after a ludicrous trial, Mary fears for her own life, but she’s swiftly and quietly brought to safety by a woman she doesn’t know, with a passage to America arranged for her. In the New World Mary will adopt a new identity and make a new life among Puritans.
Mary’s life in Salem is described in evocative detail - the heat that “does not fade with the setting sun”, the fireflies, the “dour” people whose “faces show a history of work and hardship.” But the Puritans find Salem too soft for them, and so they press further into the wilderness, to the Beulah (‘Bride of God’) settlement. Life is strict, and worsens for Mary when old superstitions re-emerge after she uses her healing wisdom. It’s while searching for herbs in the woods that she befriends Jaybird, a Native American boy, and meets his shaman grandfather. The novel tells of their history and spiritual beliefs with an engaging deftness of touch, but since the Puritans regard Native Americans as “the Devil’s instruments”, as people who live “in sin, and in degradation”, Mary’s association with Jaybird adds to their suspicion of her.
Presented as pages from Mary’s journal found centuries later, this is an engaging joy from start to cliff-hanger finish.
As Witch Child ends, so Sorceress begins...
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