Cinderella Is Dead

LoveReading4Kids Says

August 2020 Debut of the Month

In this rip-roaringly feminist re-imagining of Cinderella, our justice-seeking heroine, Sophia, seeks a princess rather than a prince, and bodice-ripping is done in the name of shedding the shackles of patriarchy. Giddily entertaining, and spiced with dagger-sharp dialogue and romantic attraction, one message beams bright through Sophia’s story - “do not be silent. Raise your voice. Be a light in the dark.”

Though 200 years have passed since Cinderella’s time, a twisted version of her legacy lives on in Lille, where the present-day Prince Charming, King Manford, has decreed that girls must recite the fairy tale daily and, at the age of sixteen, they will be sent to the palace to be chosen by a man at a grand ball. Attending the ball is law, and, in the words of Erin, Sophia’s best friend and lover, “It is our only hope for making some kind of life”, for those not chosen are doomed to an even worse existence than being married off.  As Sophia’s father admits, “I’d rather see you unhappy than imprisoned or killed.” Such is the impossible situation. So, Sophia goes to the ball, still hoping to escape with Erin, still burning with anger that the “founding tenet of our laws is that women, no matter their standing, are at the mercy of the fickle whims of men.” 

At the grandiose selection event, girls are put on show for the male suitors, some of them old enough to be Sophia’s grandfather, “but that doesn’t stop them from shamelessly ogling the young girls.” As shocking events unfold here, she flees and finds a sisterly comrade in flame-haired Constance, who also sets her heart alight. As the feminist fugitives go on the run, Constance reveals truths about Cinderella’s real story - a story that was suppressed and twisted into patriarchal propaganda by men in power. And so they embark on a quest to find the White Wood, the last known location of the original fairy godmother, who might just hold the key to further truths that will help Sophia rouse revolution. 

What an inventive, entertaining and flamboyantly feminist treat this is.

Joanne Owen

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