The Rescue of Bunny Wunny Synopsis
A wickedly funny modern cautionary tale from Emma Chichester Clark, the highly regarded, award-winning creator of Blue Kangaroo.
Introducing high-spirited Imelda and her long-suffering toy rabbit, Bunny Wunny!
Imelda always gets what she wants, so when Bunny Wunny goes missing her parents let her have a real rabbit - with extremely surprising consequences!
Wickedly irreverent, this stylish and contemporary take ont he cautionary tale is perfect for fans of Eloise and Madeline. Emma is one of today's foremost artists and has created a book to entice every reader.
About This Edition
| ISBN: |
9780008180287 |
| Publication date: |
2nd April 2020 |
| Author: |
Emma Chichester Clark |
| Publisher: |
HarperCollins Children's Books an imprint of HarperCollins Publishers |
| Format: |
Paperback |
| Pagination: |
32 pages |
| Suitable For: |
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Emma Chichester Clark Press Reviews
A funny, spiky and original story ... Chichester Clark's pictures express so much The Sunday Times Culture Magazine
A funny take on favourite toys and pets... A modern cautionary tale. Angels and Urchins
About Emma Chichester Clark
Emma Chichester Clark studied at the Chelsea School of Art and the Royal College of Art, where she was taught by Quentin Blake. She has worked as a freelance illustrator for various magazines including New Scientist, Cosmopolitan and The Sunday Times, for publishers and advertising agencies as well as teaching art for several years, and has also illustrated numerous book jackets.
In 1988 she won the Mother Goose Award for her first book, Listen to This!, an anthology compiled by Laura Cecil. She also won the Kate Greenaway medal in 1988. Since then, she has become internationally known, illustrating writers such as Roald Dahl, Peter Dickinson, Anne Fine and Margaret Mahy. Emma was the first winner of the newly created Grinzane Junior Award for I Love you, Blue Kangaroo.
Emma was born in London but raised in Ireland. She started drawing "just about as soon as I could hold a pencil. But I could never find enough paper and my mother wouldn't let me use her Basildon Bond. So secretly I used to tear the blank pages out of her grown-up books and draw on them and make my own little books."
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