"TWO MASTER FANTASISTS SET THE WORLD OF STORY ABLAZE!
After Water comes Fire—five stories from Robin McKinley and Peter Dickinson about the necessary yet dangerous element. In these tales, a boy and his dog are unexpected guests on a dragonrider’s first flight. A slave saves his village with afiery magic spell. A girl’s new friend, the guardian
of a mystical bird, is much older than he appears. A young man walks the spirit world to defeat a fireworm. A mysterious dog is a key player in an eerie graveyard showdown. These five short stories are full of magic, mystery, and wonder."
"What magical beings inhabit Earth’s waters? Some are as almost-familiar as the mer-people; some as strange as the thing glimpsed only as a golden eye in a pool at the edge of the Great Desert Kalarsham, where the mad god Geljdreth rules; or
the unknowable, immense Kraken, dark beyond the darkness of the deepest ocean, who will one day rise and rule the world.
Here are seven tales from the remarkable storytellers Robin McKinley and Peter Dickinson. Vividly imagined and written, they transform the simple element of water into something very powerful indeed."
"Because she was a princess, she had a Pegasus…
Princess Sylviianel has always known that on her twelfth birthday she too would be bound to her own Pegasus. All members of the royal family have been thus bound since the Alliance was made almost a thousand years ago; the binding system was created to strengthen the Alliance, because humans and pegasi can only communicate formally, through specially trained Speaker magicians. Sylvi is accustomed to seeing pegasi every day at the palace, but she still finds the idea of her binding very daunting. The official phrase is that your pegasus is your “Excellent Friend.” But how can you be friends with someone you can’t talk to?
But everything is different for Sylvi and Ebon from the moment they meet at her binding—when they discover they can talk to each other. They form so close a bond that it becomes a threat to the status quo—and possibly to the future safety of their two nations. For some of the magicians believe there is a reason humans and pegasi should not fully understand each other…"
"Stories from the world of The Hero and the Crown and other magical places by a New York Times–bestselling Newbery Medal winner.
Robin McKinley returns to the mythical setting of The Hero and the Crown and The Blue Sword in this “thrilling, satisfying, and thought-provoking collection” featuring two stories set in the world of Damar, plus three other fantasy tales featuring adventurous, pragmatic, and heroic young women (Publishers Weekly).
There’s mute Lily, in “The Healer,” who has the power to help others, and receives a startling opportunity to find her voice when a mysterious mage stumbles into town. And Queen Ruen, who is at the mercy of a power-hungry uncle until she encounters a shape-changer in “The Stagman.” In “Touk’s House,” a maiden who has grown up with a witch and a troll has a chance to become a princess, but she must decide whether she would really live happily ever after. When a curse follows Coral to her new husband’s farm in “Buttercups,” the pair has a choice: Succumb to defeat or find a way to turn a disastrous enchantment into a fruitful new venture.
Finally, travel to upstate New York with Annabelle. In the title story, her family moves shortly after her sixteenth birthday, and just as she starts to adjust to her new life in a small town, a plan to build a superhighway threatens her new home.
But a strange box hidden in a secret attic in the new house may be the answer.
This is a delightful assortment of tales from an author with “a remarkable talent for melding the real and the magical into a single, believable whole” (Booklist)."
"From ensorcelled princesses to a frog that speaks, an enchanting collection of fairy tales from the Newbery Medal–winning author.
The last mortal kingdom before the unmeasured sweep of Faerieland begins has at best held an uneasy truce with its unpredictable neighbor. There is nothing to show a boundary, at least on the mortal side of it; and if any ordinary human creature ever saw a faerie—or at any rate recognized one—it was never mentioned; but the existence of the boundary and of faeries beyond it is never in doubt either.
So begins “The Stolen Princess,” the first story of this collection, about the meeting between the human princess Linadel and the faerie prince Donathor. “The Princess and the Frog” concerns Rana and her unexpected alliance with a small, green, flipper-footed denizen of a pond in the palace gardens. “The Hunting of the Hind” tells of a princess who has bewitched her beloved brother, hoping to beg some magic of cure, for her brother is dying, and the last tale is a retelling of the Twelve Dancing Princesses in which an old soldier discovers, with a little help from a lavender-eyed witch, the surprising truth about where the princesses dance their shoes to tatters every night."
"Young Robin Longbow, subapprentice forester in the King's Forest of Nottingham, must contend with the dislike of the Chief Forester, who bullies Robin in memory of his popular father. But Robin does not want to leave Nottingham or lose the title to his father's small tenancy, because he is in love with a young lady named Marian—and keeps remembering that his mother too was gentry and married a common forester.
Robin has been granted a rare holiday to go to the Nottingham Fair, where he will spend the day with his friends Much and Marian. But he is ambushed by a group of the Chief Forester's cronies, who challenge him to an archery contest . . . and he accidentally kills one of them in self-defense.
He knows his own life is forfeit. But Much and Marian convince him that perhaps his personal catastrophe is also an opportunity: an opportunity for a few stubborn Saxons to gather together in the secret heart of Sherwood Forest and strike back against the arrogance and injustice of the Norman overlords."
"The earthlines speak to Mirasol, but her family has lived in the demesne for centuries, and many of the old families can hear the land. She knows that the violent deaths of the last Master and Chalice have thrown Willowlands into turmoil; but she is only a beekeeper, and the problems of the Circle that govern Willowlands have nothing to do with her—although she wonders what will become of her demesne, because the Master and Chalice left no heirs to carry on their crucial duties.
And then the Circle come to Mirasol, to tell her that she has been chosen to be the new Chalice; and the Master she must learn to work with is a Priest of Fire, a man no longer quite human, whose touch can burn human flesh to the bone."
"The New York Times–bestselling author of Rose Daughter reimagines the classic French fairy tale of Beauty and the Beast.
I was the youngest of three daughters. Our literal-minded mother named us Grace, Hope, and Honour. … My father still likes to tell the story of how I acquired my odd nickname: I had come to him for further information when I first discovered that our names meant something besides you-come-here. He succeeded in explaining grace and hope, but he had some difficulty trying to make the concept of honour understandable to a five-year-old. … I said: ‘Huh! I’d rather be Beauty.’ …
By the time it was evident that I was going to let the family down by being plain, I’d been called Beauty for over six years. … I wasn’t really very fond of my given name, Honour, either … as if ‘honourable’ were the best that could be said of me.
The sisters’ wealthy father loses all his money when his merchant fleet is drowned in a storm, and the family moves to a village far away. Then the old merchant hears what proves to be a false report that one of his ships had made it safe to harbor at last, and on his sad, disappointed way home again he becomes lost deep in the forest and has a terrifying encounter with a fierce Beast, who walks like a man and lives in a castle. The merchant’s life is forfeit, says the Beast, for trespass and the theft of a rose—but he will spare the old man’s life if he sends one of his daughters: “Your daughter would take no harm from me, nor from anything that lives in my lands.” When Beauty hears this story—for her father had picked therose to bring to her—her sense of honor demands that she take up the Beast’s offer, for “cannot a Beast be tamed?”
This “splendid story” by the Newbery Medal–winning author of The Hero and the Crown has been named an ALA Notable Book and a Phoenix Award Honor Book (Publishers Weekly)."
"From the New York Times bestselling author of Sunshine is the Newberry Award–winning classic novel that had enthralled readers for decades.
This is the story of Corlath, golden-eyed king of the Free Hillfolk, son of the sons of the Lady Aerin.
And this is the story of Harry Crewe, the Homelander orphan girl who became Harimand-sol, King’s Raider, and heir to the Blue Sword, Gonturan, that no woman had wielded since Lady Aerin herself bore it into battle.
And this is the song of the kelar of the Hillfolk, the magic of the blood, the weaver of destinies …
“This is a zesty, romantic heroic fantasy with an appealing stalwart heroine, a finely realized mythical kingdom, and a grounding in reality that enhances the tale’s verve as a fantasy.”—Booklist"
"An outcast princess must earn her birthright as a hero of the realm—in this “utterly engrossing” Newbery Medal–winning fantasy (The New York Times).
Aerin is an outcast in her own father’s court, daughter of the foreign woman who, it was rumored, was a witch, and enchanted the king to marry her.
She makes friends with her father’s lame, retired warhorse, Talat, and discovers an old, overlooked, and dangerously imprecise recipe for dragon-fire-proof ointment in a dusty corner of her father’s library. Two years, many canter circles to the left to strengthen Talat’s weak leg, and many burnt twigs (and a few fingers) secretly experimenting with the ointment recipe later, Aerin is present when someone comes from an outlying village to report a marauding dragon to the king. Aerin slips off alone to fetch her horse, her sword, and her fireproof ointment …
But modern dragons, while formidable opponents fully capable of killing a human being, are small and accounted vermin. There is no honor in killing dragons. The great dragons are a tale out of ancient history.
That is, until the day that the king is riding out at the head of an army. A weary man on an exhausted horse staggers into the courtyard where the king’s troop is assembled: “The Black Dragon has come … Maur, who has not been seen for generations, the last of the great dragons, great as a mountain. Maur has awakened.'"
